If you can, please take a moment to look over this looking-for-work page I've created and pass it around on all your social media. The more eyes that see it, the better a chance I have. You never know where a connection might lead.
"I write about depressing things. I try to face the worst things about humanity and our situation. I started with how the oceans are dying, but since then I’ve moved on to genocide, imprisonment, the history of labor exploitation, computer security and mass surveillance, racism, and global ecological collapse. I’m fun at parties.
[...] We are diseased and angry and we kill each other and ourselves and all the world. We are killing off life on Earth like a slow moving asteroid. I try to look at this, and my own part in it. Sometimes it is overwhelming. I feel so powerless trying to comprehend all the terrible things we face, much less get past them into our future, with our humanity and our inconceivably beautiful little blue-green planet preserved.
[...]All these grown-up monsters for my grown-up mind, they are there in the nights I wake up terrified and taunted by death. When I feel so small and broken, when despair and terror take me, I have a secret tool, a talisman against the night. I don’t use it too often so that it doesn’t lose its power. I learned it on airplanes, which are strange and thrilling and full of fear and boredom and discomfort. When I am very frightened, I look out the window on airplanes and say very quietly:
I have seen the tops of clouds
And I have. In all the history of humanity, I am one of the few that has seen the tops of clouds. Many would have died to do so, and some did. I have seen them many times. I have seen the Earth from space, and spun it around like a god to see what’s on the other side. We are the only consciousness we’ve ever found that has looked deep into the infinite dark, and instead of dark, we saw galaxies. Galaxies! Suns and worlds beyond number. We have looked into our world and found atoms, atomic forces, systems that dance to the glorious music of the universe. We have seen actual wonders that verge on the ineffable. We have coined a word for the ineffable. We have coined thousands of words for the ineffable. In our pain we find a kind of magic, in our worst and meanest specimens we find the flesh of a common human story. We are red with it.
"A story like this is a password. Once you say it out loud, doors start to open. For the rest of that night, and the rest of my time at that residency, the women who’d seen those emails would tell me stories."
"The men in stories like this always have just enough power, in their little worlds and in ours, that to confront them would be to court an ordeal, to invite others to question our own memories and motives. It’s always more trouble than it’s worth. If you don’t have hard proof, if you don’t have a police report, then what do you have? Only what you remember. Only what you felt."
"On March 2, more than four years ago now, Lea died of substance-abuse-related liver failure. June 10 would have been her 27th birthday. This time of year is when she’s always most on my mind, and I’m sure that some Facebook technician who keeps track of what we all do on the site would report that my visits to Lea’s profile increase exponentially as the weather gets warmer. I don’t know how, exactly, I managed to open up my old messages with Lea. I want to say that Facebook put the messages there—that I didn’t click the button, that they just appeared, Lea’s face popping up because she had something to say, she wanted to chat. But I must have clicked. Maybe by accident. Still, I can’t ignore the pull of my bookworm’s interpretation, arguing that technology is the closest human beings come to magic. I know nothing about the way the Internet works. I still half-believe the Internet is simply air. So why isn’t it plausible that Lea’s messages appeared in response to how much I miss her, to my own guilt about her death.
Lea died the first time soon after she joined Facebook, when I witnessed her transformation into someone she would have mocked and pitied. She died again, a smaller death, a year or so before her real-world one, when she basically stopped posting altogether. On March 2, she died publicly, her wall turning into the memorial it is now. To me, she’s died again and again since then. The posts remembering her are fewer and fewer, months apart sometimes. When I rediscovered our messages, she died again—in a different way, because I’d come face to face with how I failed her. Facebook has made her death a sort of high-concept horror movie. How many more times will I grieve her? How many more details from my past, from Lea’s past, are buried online, waiting for me to uncover them?"
It is not anti-Semitic to suggest that Israel doesn’t get a free pass to kill whoever it likes in order to feel “safe”. It is not anti-Semitic to point out that if what Israel needs to feel “safe” is to pen the Palestinian people in an open prison under military occupation, the state’s definition of safety might warrant some unpacking. And it is not anti-Semitic to say that this so-called war is one in which only one side actually has an army. [...]
Last weekend, hundreds of thousands of men, women and children around the world marched to express their disgust at Israel’s air and ground assault on the Gaza Strip, and among them were swathes of Jews and Israelis. This is one of the few situations in which it makes a difference to stand up and say: not in our name. Not now, not ever again. Being Jewish, or having Jewish roots, doesn’t make you responsible for what is happening in Gaza, but it does mean that your dissent carries that much more weight. Not more weight than the grieving relatives of the families butchered in Shejaiya, but the kind of weight that hangs heavy on the heart, and that comes with the small but palpable risk of upsetting your family.
So here it is. I think my ancestors who were persecuted, tormented and exiled down the centuries for being Jews would be horrified to see what is being done in their name today.
"The Cloud is an interactive lamp and speaker system, designed to mimic a thundercloud in both appearance and entertainment. Using motion sensors the cloud detects a user’s presence and creates a unique lightning and thunder show dictated by their movement. The system features a powerful speaker system from which the user can stream music via any Bluetooth compatible device. Using color-changing lights the cloud is able to adapt to the desired lighting color and brightness. The cloud also has alternative modes such as a nightlight and music reactive mode."
"We mistake sex for romance. Guys are taught that pushing a girl up against a wall is romance. Sex is easy; you can do it with anyone, yourself, with batteries. Romance is when someone you like walks into a room and they take your breath away. Romance is when two people are dancing and they fit together perfectly. Romance is when two people are walking next to each other and all of a sudden they find themselves holding hands, and they don't know how that happened."
― John C. Moffi
asked him if he had a working title yet and he said, to laughter, ‘Yes. “Ban This Book: From Swedish Whores to Pentagon Bores”.’ It was interesting to see how he parried with some notion of himself as a public figure, as a rock star really, when all the activists I’ve ever known tend to see themselves as marginal and possibly eccentric figures. Assange referred a number of times to the fact that people were in love with him, but I couldn’t see the coolness, the charisma he took for granted. He spoke at length about his ‘enemies’, mainly the Guardian and the New York Times.
But he was also losing touch with promises he had made and contracts he’d signed. His paranoia was losing him support and in a normal organisation, one where other people’s experience was respected and where their value was judged on more than ‘loyalty’, he would have been fired. I would have fired him myself if I hadn’t been there merely to help him straighten out his sentences. But his sentences too were infected with his habits of self-regard and truth-manipulation. The man who put himself in charge of disclosing the world’s secrets simply couldn’t bear his own. The story of his life mortified him and sent him scurrying for excuses. He didn’t want to do the book. He hadn’t from the beginning.
I interviewed Julian in stolen hours in the middle of the night, in the backs of cars and at my house in Bungay, while Harry gathered childhood material, but we knew we were up against it. Canongate was keen to publish before the summer and had no idea, despite my warnings, how unwilling Julian was. Caroline, his agent, believed he still wanted to produce the book but I knew he didn’t: I’d seen the lengths he would go to get on another topic, and knew he’d rather spend hours Googling himself than have his own say in the pages of his autobiography. I’d come into this fascinated by the ‘self’ aspect of it all, but the person whose name would be on the cover had both too much self and not enough. Still, we staggered on.
"The crisis began in late November when Ukrainian President Viktor Yanukovych snubbed a plan to sign an Association Agreement and trade pact with the EU after Russia persuaded the most populous former Soviet republic to stay in the Kremlin's orbit.
Citizens subsequently flooded the streets and made Independence Square, aka Maidan, their base in central Kiev. The confrontations between the opposition and Yanukovych's government have been escalating since.
On Wednesday, people poured back into Maidan to prepare for fresh clashes with police. (Here's a Maidan live stream.)"
An anti-government protester gestures towards riot police during clashes in Independence Square in Kiev February 18, 2014.
Kiev streets have been burning throughout the protests. On Tuesday, the Maidan was particularly alight. Leading to some incredible fireworks admid the violence.
Protesters have used rocks, slingshots, catapults, and Molotov cocktails.
While crude, the mixture of flammable liquid inside the bottle of a Molotov cocktail has proven very effective.
An anti-government protester finds cover during clashes with riot police outside Ukraine's parliament in Kiev, Ukraine, Tuesday, Feb. 18, 2014.
An aerial view shows Independence Square during clashes between anti-government protesters and Interior Ministry members and riot police in central Kiev February 19, 2014.
"As a photographer I show you the world through my lens on a daily basis. We all look at New York, she demands our focused attention. I’ve been thinking about the art of looking. The importance of focusing and what we see. This past March I bought a pair of Giorgio Armani frames in Geneva, classic per usual, and I decided to put them in front of the frame. To see what I see.
To show you a day in New York through my lens…"