http://coilhouse.net/2009/07/04/back-in-the-summer-of-69/
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Jimi Hendrix performs “The Star-Spangled Banner” at the Woodstock Festival in upstate New York, 1969. You can hear the bombs, screams and ear-splitting jetfire of Vietnam in that guitar.
At first, I just figured I’d take a minute to mark the occasion of this country’s birth with the above clip of Hendrix’s string/mind/soul-bending rendition of the U.S. National Anthem. It’s been almost exactly 40 years since the footage was shot at Woodstock, during late summer, in the astoundingly eventful year of 1969.
Then I got to thinking a bit more about 1969. Egads, what a dense historical American nerve cluster! Over the course of those twelve months, one seriously heavy, snaking cultural current swept humanity in some exhilarating and alarming directions. Countless aspects of life as we now know it were irrevocably changed, and it all basically happened overnight.
In a piece written recently for USA Today, cultural anthropologist Jeremy Wallach called 1969 “the apotheosis and decline of the counterculture” and Rob Kirkpatrick, author of 1969: The Year Everything Changed said: “I don’t think it’s even debatable. There’s an America before ‘69, and an America after ‘69.”

To give me and mah feller ‘Merkins something to chew on today besides corn on the cob, here’s a list of just a few of the country’s more momentous occurrences, circa 1969:
The whole world watched, breathless, as the lunar module Eagle landed and Neil Armstrong took his first steps on the Moon. Dr. Denton Cooley successfully implanted the first temporary artificial heart in Texas. Four months after Woodstock, the infamously violent, miserable Altamont Free Concert was held at the Altamont Speedway in northern California, ostensibly bringing an end to the idealistic sixties. In NYC, the Stonewall riots kicked off the modern gay rights movement in the U.S. Members of the Manson Family cult committed the Tate/LaBianca murders, horrifying Los Angeles and goading a prurient media circus. The first message was sent over ARPANET between UCLA and Stanford. L. Ron Hubbard had his organization’s name officially changed to The Church of Scientology, and they started litigating. Confessions of Aleister Crowley: An Autobiography and the Thoth Tarot Deck were both republished, and Kenneth Anger shot his lesser known –but deeply resonant– film Invocation of My Demon Brother. Barred from reentering the states to hold their planned New York City “Bed-In”, John Lennon and Yoko Ono relocated the event to the Queen Elizabeth Hotel in Quebec, where they recorded “Give Peace a Chance”. Everybody got nekkid in the Broadway muscial production, Hair…
Read the rest of Back in the Summer of ‘69
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